cookie monster

I went on an audition this week, a casting call on craigslist for a print ad for cookies. I’m pretty crazy about cookies, so in the spirit of this whole reinvention thing, I took the bait.

I sat in a cramped anteroom for twenty minutes as a handful of people went in but oddly, no one came back out. I was a little suspicious, I always am – daddy was a con man, after all, and okay, I’ve been guilty of a bit of the bait & switch as well -  but I try to dismiss that innate prejudice and just show up.

It was exactly the kind of scam I warned tadpole actors about when I was an agent. The “casting director” talked fast, shuffled papers and running a vocal version of three card monte, offered to get me work immediately. Immediately after I paid $99 for headshots they’d shoot themselves, right then, right that very second, c’mon, c’cmon when do you want to start, let’s go, let’s get things moving… Continue reading

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another little piece o’ my heart

I got a chance to read some of the dirtygirl story in public last night at the inaugural of the new reading series, Sex Worker Literati. It was packed. People were sitting on the floor. A dozen or so had showed up for me personally (I sent out two hundred invitations. I’m going to pretend that that’s a pretty good percentage). Some friends I’d expected didn’t make it. On the other hand, old high school acquaintances who’ve become new friends through the actual “social” part of social networking engines like Facebook, did, with progeny in tow. 

It was all a little intimidating.

I can talk in front of strangers about nothing for hours. I can talk in front of a bunch of alcoholics about myself forever. But my writing, I want to say “my art” but that feels so very pretentious, exposing that to strangers or to friends, that’s a horse of a different color entirely. Every time, every single time I let you read my work is like handing over my newborn baby and hoping you don’t decide to put a pillow over her face. Reading my work to you is a little harder than that, more like taking a circular saw to my own chest, wrenching open my rib cage and letting you poke around in my heart for a while. Really poke.

I labor over every single word, each piece of punctuation hopefully creates a rhythm you can dance to. I write about the personal, in ways that take me to the vulnerable. Every time, every single time you read what I write, it means I’ve unlocked my heart just a little, left a door ajar, a trail of breadcrumbs down through the maze of locked doors and secret passageways.

I stood in a crowded bar last night and told you part of my story, a part that doesn’t make me look particuarly good, or sound like a nice person at all. I let you see a piece of my heart from a time it wasn’t safe to have a heart at all.

I never felt more beautiful.

There is something to be said for following your bliss.

 

TELL ME:  How you do that? How do you share your art with the world?  What does it feel like when people show up, or they don’t?  When they love your work, or they say nothing at all?  When I watch you, you make it all look so easy... Post your thoughts below, talk to me.

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help me, I’m moulting….


July is my month. I celebrate both a birthday & an anniversary of what I hope will always be the day of my last drink, my last drug.

This year, the birthday was number 53 and the anniversary was number 19. Considerably more than anyone who knew me when I was drinking could imagine and I had no interest in stopping. How that happened is another story entirely. Remind me to tell you sometime. It’s a good story.   Continue reading

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